Header Tremaine Foundation
Robert Rauschenberg, Windward, 1963. Oil on serigraphy on canvas (244 x 178 cm). Fondation Beyeler, Riehen/Basel. Photo: Canz Medienmanagment, Ostfildern. Art (c) Estate of Robert Rauschenberg/ Licensed by VAGA, New York, NY.
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About the Foundation
Art Programs
The Emily Hall Tremaine Exhibition Award
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Inquiry Submission Guidelines
Emily Hall Tremaine Foundation
171 Orange Street
New Haven, CT 06510
203.639.5544
Fax: 203.639.5545

Recent Art Grants

MARKETPLACE EMPOWERMENT FOR ARTISTS

Organizations

Arts & Business Council of Greater Boston | Boston, MA
$125,000 to support the Artist Professional Toolbox Fellows program and the creation of an Arts Service Center.


Artists in Context | Cambridge, MA
$125,000 to support the development and implementation of the program Connected and Consequential, which includes a series of four professional development symposium in New England for artists wishing to engage in hybrid-practices.   
Arts Council of New Orleans | New Orleans, LA
$60,000 to support the Arts Business Program: Visual Artists Business Development, both in person and online.
ArtServe Michigan | Wixom, MI
$100,000 to support the expansion of the Creative Many Professional Practice Seminars throughout the state of Michigan.
Atlanta Contemporary Art Center | Atlanta, GA
$40,000 to support the publication Creative Lives & Careers, a synthesis of the “best of” sessions from the Artists Survival Skills series from 2002 – 2009 combined with essays from various contributors (artists, critics, curators).
Chicago Artists' Coalition | Chicago, IL
$100,000 to support the expansion of the A.B.C. - Art.Business.Create. professional practice program for visual artists.
Chicago Artists Resource | Chicago, IL
$45,000 to support the planning process for the implementation of a national syndication network of Artists Resource websites, modeled after Chicago Artists Resources (www.chicagoartistsresource.org).
College Art Association | New York, NY
$70,000 to support the CAA National Professional-Development Workshops for Artists, a traveling series to reach underserved communities in regions without established professional development program, and the production eight new professional development podcasts to be hosted on the CAA website. 
Connecticut Office of the Arts | Hartford, CT
$40,000 to support the statewide professional practice series Taking Care of Business, Career Strategies for Visual Artists
LegalArt | Miami, FL
$45,000 to support the development and implementation of SeminArt 2.0, which is an advanced level of professional practice training for Miami area visual artists. 

New York Foundation for the Arts | New York, NY
$57,500 to support MARK: A Statewide Initiative for New York Artists and the MARK Alumni Program


Springboard for the Arts | Saint Paul, MN
$170,000 to support the expansion of the Work of Art: Business Skills for Artists curriculum throughout the 5-state Upper Midwest region (Minnesota, Wisconsin, Iowa, North and South Dakota). 

 

Universities

The following universities are developing and/ or implementing their MFA course in professional practices for their visual arts students:

California College of the Arts | San Francisco, CA
California Institute of the Arts | Valencia, CA
Columbia University | New York, NY 
Maryland Institute College of Art | Baltimore, MD
Ohio State University | Columbus, OH
Parsons The New School for Design | New York, NY
Pratt Institute | Brooklyn, NY
Rhode Island School of Design | Providence, RI
San Francisco Art Institute | San Francisco, CA
Savannah College of Art and Design | Savannah, GA
School of the Art Institute of Chicago | Chicago, IL
School of the Museum of Fine Arts Boston | Boston, MA
University of Texas, Austin | Austin, TX
University of Wisconsin, Madison | Madison, WI
Virginia Commonwealth University | Richmond, VA

 

2010 EMILY HALL TREMAINE EXHIBITION AWARD

Paperless
Steven Matijcio
Southeastern Center for Contemporary Art
 | Winston-Salem, NC
$85,000

The medium of paper is a fragile vehicle-carrying immense anthropological weight of written thought, but acutely vulnerable to the forces of travel, climate, and time.  This endangered status accelerates in an increasingly digitized and environmentally conscious society, where the "paperless economy" is turning said material into antiquity and the abject.  Yet even as paper struggles against its extinction, moving into and out of the archives at once, artists around the world are venerating its precarious empire.  Paperless celebrates these refugees from of the information age, presenting theatrical elegies to the pariah of so-called "progress". 


Man in the Holocene
João Ribas
MIT List Visual Art Center
 | Cambridge, MA
$150,000

This exhibit will explore how contemporary art acts as a form of inquiry into the nature of our physical world.  Reflecting a developing turn towards objects and away from language, the exhibition will propose how contemporary art contributes to the ongoing development of human knowledge through the insights of the eye and hand.  From Joseph Beuy's lemon-powered ligtbulb, the effects of magnetism in the fims of Joao Maria Gusmao & Pedro Paiva, and the subtle change of temperature, sound and scent in the work of Koo Jeong-A, the exhibition will show what contemporary artists reveal about our understanding of the world. 


Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots
Sue Spaid
Contemporary Arts Center 
| Cincinnati, OH
$150,000

 In the past 40 years, artists have played a significant role in creating a greater awareness of the importance of local, fresh produce.  To this end, artists have adopted farming skills so as to facilitate community actions, inspire local identities, foster self-reliance, improve food quality, and demonstrate sustainable farming practices.  These acts, whether of resistance, empowerment and/or genuine pleasure on the part of artists and participants alike offer viable alternatives to standard corporate farms upon which we depend.  "Green Acres" combines an indoor exhibition of historically-significant extant works, including the refabrication of Newton and Helen Harrison's Survival Series (1970 - 1973), with six in situ outdoor sculptures on view during the 2012 growing season, by international artists whose works address farming. 


For information on the Emily Hall Tremaine Exhibition Award , please click here.

 

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